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Spotify will not ban AI-made music, says boss

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The boss of Spotify says he has no plans to completely ban content created by artificial intelligence from the music streaming platform.

Earlier this year the platform pulled a track featuring AI-cloned voices of the performers Drake and The Weeknd.

Daniel Ek told the BBC there were valid uses of the tech in making music – but AI should not be used to impersonate human artists without their consent.

He said using AI in music was likely to be debated for “many, many years”.

Mr Ek, who rarely speaks to the media, said that he saw three “buckets” of AI use:

  • tools such as auto-tune which improve music, which he believed were acceptable
  • tools which mimic artists, which were not
  • and a more contentious middle ground where music created by AI was clearly influenced by existing artists but did not directly impersonate them.

“It is going to be tricky,” he said when asked about the challenge the industry was facing.

While AI is not banned in all forms on the platform the company does not allow its content to be used to train a machine learning or AI model, the likes of which can then produce music.

Artists are increasingly speaking out against the use of AI in the creative industries.

Last month the Irish musician Hozier said he would consider striking over the threat of AI to his profession.

He told BBC Newsnight that he wasn’t sure the tech “meets the definition of art”.

Neither Drake nor The Weeknd were aware of cloned versions of their voices being used on the song, Heart on My Sleeve. The track was removed from Spotify and other streaming platforms in April.Drake and The Weeknd perform together in Nottingham in 2014
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Its creator, Ghostwriter, later tried to have the track nominated for a Grammy award but it was turned down.

“You can imagine someone uploading a song, claiming to be Madonna, even if they’re not. We’ve seen pretty much everything in the history of Spotify at this point with people trying to game our system,” Mr Ek said.

“We have a very large team that is working on exactly these types of issues.”

In May, the Financial Times reported that thousands of tracks had been removed from Spotify after a discovery that bots were being used to artificially inflate their streaming figures.

Mr Ek also discussed the platform’s huge investment in podcasts – including those from high-profile figures like Michelle and Barack Obama and the Duke and Duchess of Sussex. Neither has been re-commissioned.

The deal with Harry and Meghan cost a reported $25m (£18m) and saw just 12 episodes delivered over two and a half years. A Spotify executive recently reportedly spoke disparagingly about the pair’s work ethic.

“The truth of the matter is some of it has worked, some of it hasn’t,” said Mr Ek of the firm’s decision to “challenge Apple” as the market-leading podcast platform by taking on a lot of new creators.

“Five years ago Spotify was nowhere in podcasting.”

Separately, the firm confirmed that Russell Brand’s podcast would remain on Spotify unless the material itself was found to have breached its own terms and conditions.

Acast, which owns the podcast, said it had suspended advertising revenue from it as the comedian remains under investigation over allegations of sexual assault.

The reason Sweden-based Daniel Ek was in the UK was to discuss regulation. He said the firm is supportive of the incoming Online Safety Bill, designed to make the internet safer for children, and the ongoing Digital Markets Bill, which aims to improve competition by closely scrutinising the tech giants.

Mr Ek has long been a vocal critic of the policies of Apple and Google’s app stores, on which Spotify relies. Both companies charge smaller developers a 15% commission on in-app purchases, with this rising to 30% for developers with revenue of more than $1m.

Spotify has also complained that Apple makes it hard for the business to communicate directly with its customers and promote its services elsewhere.

“We are in a situation where literally two companies in the world control how over four billion consumers access the internet,” said Mr Ek.

“If you think now on a company like Spotify, where we already pay out almost 70% of our revenues back to the creative community, if we were to take the 30% out of our cut it essentially means we’re left with zero, which means we have to close shop.”

In April, the European Commission (EC) charged Apple with breaking EU competition rules over this, following a complaint from Spotify in 2020. In February the EC scaled back its objections against Apple although there has yet to be a final ruling.

Apple said it was continuing to work with the EC. It added that the vast majority of European developers are developers who make less than $1m in revenue and qualify to pay Apple a 15% commission rate.

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Peter Okoye reacts to alleged song ownership by twin brother

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Iconic Nigerian singer Peter Okoye has responded to allegations made by his twin brother Paul over ownership of a new song “Winning.”

Peter Okoye shared a detailed account of the song’s creation, clarifying his role and collaboration with others, including Ghanaian producer Vampire and songwriter Calypso.

He questioned Paul’s claims, citing their agreed-upon creative process and Paul’s removal of his (Peter’s) vocals from joint songs.

Peter also addressed his temporary break from music, stating he took time to recharge before returning with “Winning.”

He wrote on X: “If you have followed my journey as a solo artiste and even before, you will notice that I give people their due credit where necessary as I am a firm believer in teamwork; I know my strengths, where I need assistance or guidance I am not afraid to ask or work with those who are strong in the areas I am not; this includes the process of creating music, executing concepts and ideas etc. I will always credit people for their contributions to my projects.

“Sometime in June 2022, I stumbled upon a producer based in Ghana named Vampire, and my team and I also personally reached out to him via DM, that I liked his work and was interested in working with him. Before getting him to Lagos, I presented the idea of this producer to my twin brother and our team, getting their buy-in before I got him flight tickets and flew him to Lagos.“

It was when he got into Lagos I asked if he would be open to working on P-SQUARE’s next album project, that the 5 songs I had penned down from my end to be presented to our A&R team for the album project were: JAIYE, WINNING, FIND SOMEBODY, LEGENDARY, and ATTENTION, based on tracks he had produced.

“We started with my own 5 songs that needed to be submitted for PSQUARE’s album, which he produced for me: The idea for WINNING came from one of his beats that I discovered. I came up with the idea of changing the chord progression from the original version to what it is today with my own producer Goldswarm who is the co-producer of the song WINNING.

“I had also engaged a songwriter known as CALYPSO who wrote and composed the song WINNING and sent it to me on the beats through a voice note. And we started working on the song. Mind you, he worked on some other songs that were to make the album as well, so my brother was aware of his input to the production as we were all in the studio during this period.

“Then when my twin brother heard the song WINNING, which we had already created the hook/chorus for, he then wanted to start creating a verse. Our agreed-on process for each song presented by us was: arrange the song, leave a verse for the other person, then we both harmonise the chorus and refrain bits together. He wasn’t supposed to until Calypso and I finished it as part of my own song submission to the LEGENDARY ALBUM.

“After that, we finished and shared verses among ourselves. I do not wish to get into details of why the album didn’t see the light of day till date but it takes a different level of psychosis for one to steal what is theirs already; as since the release of this song, I have been labeled and called all sorts online and they have even gone as far as asking for the song to be taken down on various platforms, to what end?

“It was never part of his 5, now 6 (according to him) songs for submission, yet when he felt I was not interested in making music because I chose my sanity over the constant berating and drama that seemed to come up over creative direction in the group.

“If it were his song, why do I have all the music data including initial conversations and picture/video evidence on the above-mentioned titles/songs? Which of his songs do I have its data in my possession in that case? All because he was hoping for me to quit music. Even when I learnt that he had removed my vocals on songs we did together, suggesting that he sing the entire songs including the ones that he planned to present for the album without my input (a very absurd idea as we both make up the duo not just the one), but we both perform them on stage, I begun to have a rethink of the entire situation. Let me leave this here.

“Maybe because I was not posting anything music-related on my social media page for over 4 months. He believes I have lost interest in music. I took a breather to get my mind and head in the right space and when that was done, my epiphany was WINNING!”.

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DNA test more important than naming ceremony- Don Jazzy

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producer and executive, Don Jazzy, has urged men to prioritise the paternity of their children, stating that it is more important than a naming ceremony.

On his Instagram story, Don Jazzy emphasised: “DNA test is more important than naming ceremony.”

His statement comes amid ongoing debates about the necessity of DNA tests, fuelled by recent high-profile cases of paternity fraud.

Don Jazzy known in real life as Michael Collins Ajereh is the founder of Mavin Records – through which he has signed artistes including D’Prince, Rema, and Ayra Starr.

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Pastor Love jailed 48 months in hard labour for stealing

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Pastor Hammond Love, widely known as Pastor Love, has been convicted of theft and sentenced to 48 months in prison with hard labour.

GBC Ghana Online reports that Pastor Love, a former husband of gospel musician Obaapa Christie, was found guilty of the offence after seven years of trial. 

Before he was sentenced, Pastor Love pleaded with the court for mercy, adding that he was willing to pay any fine that would be imposed on him. 

The court presided over by Isaac Addo, took into consideration the fact that the convicted Pastor Love was a first-time offender.

The court held that as a Pastor, he was expected to hold a high level of integrity, especially in matters of trust, and therefore handed him the 48-month jail term as a fair deterrent. 

The facts of the case as presented by ASP Frimpong was that in 2016 one Samuel Amankwah, a resident of the US, shipped a 4×4 vehicle into Ghana and tasked Pastor Love to clear it from the port. 

The convict cleared the said vehicle with his money, after which the complainant told him to sell it for US$50,000 and deduct the amount he paid as duty.

Later, the complainant told Pastor Love to hold on with the sale of the vehicle as he would travel to Ghana and refund his money. 

In April 2017, the complainant arrived in the country and contacted Pastor Love for his vehicle, but he could not produce it despite several demands. 

The complainant complained with the Police and Pastor Love was arrested in May 2017. 

During interrogation, the convicted Pastor Love told the Police that he secured a loan of GH¢40,000 with 20 per cent interest to clear the vehicle and was accruing more interest, so he sold the vehicle at GH¢80,000 without the consent of the owner and paid GH¢70,000 to the loan company.

Meanwhile, Pastor Love was unable to lead the Police to the said loan company to verify the claim and could not also tell who bought the vehicle. 

The Judge said the convict was dishonest to the Court.

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